Just finished up Kyle’s sax tracking for the upcoming Love Club LP, titled Pearls Dissolve In Vinegar.
Something a little different. A new romantic record inspired by a friend’s dream and a series of inside jokes. Knight Sounds is the culmination of about a year’s worth of very slow work, resulting in some interminably catchy new wave music. You can stream or download it here.
Modified and repaired an old Seeburg drum machine that was beginning to show its age. It had a hardwired line-out RCA cable that was faulty and only about three feet long. I replaced it with a 1/4” output jack mounted on the back panel, so the owner can use whatever length of regular guitar cable they like for the output.
It also has a sort of play/pause foot pedal (read: turns down the volume when bypassed) which was hardwired in as well. The connection was deteriorating, causing the volume to drop out at random intervals. I installed a TRS jack on the back panel next to the new output jack, and added a TRS plug on the end of the pedal’s cable.
The metal-on-metal connections are a lot more reliable for live use, and allow the user more freedom as to where the machine is located in their live setup. The pedal can now be detached for storage, and it can be more easily replaced should it ever fail.
Mitch Esparza will be in-studio this Sunday, tracking guitars for the upcoming release from The Love Club. The dual-drummer recordings made at PhilaMOCA came out beautifully. This record will be a powerhouse, surely.
Ero’s record is coming along with the addition of guitar - initially something we didn’t think would be present on this recording. Their guitar player made excellent use of a Fuzz War in getting together some meticulously controlled feedback.
The Soulgazer record is almost entirely arranged and mixed, and is going through a light editing and clean-up process before we move on to the final stages of production. Kyle and I are both excited to see what the reactions to this release will be.
They should be here within the week. I was pleased with the older LSR2328P, so hopefully these won’t disappoint.
Not sure how I missed this. Here’s a French review of Ero's previous recording, Snake Eats the Moon.
Their second record is currently well underway, with the basic tracks having already been cut. Sounds great so far - can’t wait to show you all the finished product.